Baroque Italy Theorbo

Rafael Bonavita

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Rafael Bonavita's own arrangements makes flourish some of the most delightful music of the Italian baroque. The compositions are written by avant-garde theorbo players Girolamo Kapsberger, Bellerofonte Castaldi and Alessandro Piccinini, in the modern style of the 17th century. The music is performed on one of the most imposing instruments of the

Rafael Bonavita's own arrangements makes flourish some of the most delightful music of the Italian baroque. The compositions are written by avant-garde theorbo players Girolamo Kapsberger, Bellerofonte Castaldi and Alessandro Piccinini, in the modern style of the 17th century. The music is performed on one of the most imposing instruments of the lute and guitar family, the magnificent 14-course theorbo. This is a remastered recording based on the artist’s former catalogue.

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Baroque Spanish Guitar

Rafael Bonavita

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Rafael Bonavita brings us a collection of Spanish baroque folk music composed by Gaspar Sanz and Santiago de Murcia. A beautiful journey through vibrating melodies and danceable rhythms. Bonavita has arranged all the music for a five-course baroque guitar. Even includes his original composition Jácaras. This is a remastered recording based on the

Rafael Bonavita brings us a collection of Spanish baroque folk music composed by Gaspar Sanz and Santiago de Murcia. A beautiful journey through vibrating melodies and danceable rhythms. Bonavita has arranged all the music for a five-course baroque guitar. Even includes his original composition Jácaras. This is a remastered recording based on the artist's former catalog.

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Bonavita plays Bach

Rafael Bonavita

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This album presents the extraordinary music for lute written by Johann Sebastian Bach and performed by Rafael Bonavita. It features Bonavita’s own transcriptions of emblematic pieces such as the Chaconne for solo violin or the famous Aria. All played on a replica of the original instrument which inspired Bach to compose these works: the 13-course

This album presents the extraordinary music for lute written by Johann Sebastian Bach and performed by Rafael Bonavita. It features Bonavita’s own transcriptions of emblematic pieces such as the Chaconne for solo violin or the famous Aria. All played on a replica of the original instrument which inspired Bach to compose these works: the 13-course German baroque lute. This is a remastered recording based on the artist’s former catalogue.

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Vihuela Music from Renaissance Spain

Rafael Bonavita

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Rafael Bonavita performs his personal versions of selected compositions by the most outstanding Spanish 16th century vihuela players. Names such as Luis de Narváez, Alonso Mudarra, Diego Pisador, Miguel de Fuenlllana and Enríquez de Valderrábano. In addition, Bonavita features his compositions “Mi canción” (My song) and “Fantasía de Improviso”.

Rafael Bonavita performs his personal versions of selected compositions by the most outstanding Spanish 16th century vihuela players. Names such as Luis de Narváez, Alonso Mudarra, Diego Pisador, Miguel de Fuenlllana and Enríquez de Valderrábano. In addition, Bonavita features his compositions “Mi canción” (My song) and “Fantasía de Improviso”. Music carrying the Spanish flavor created during the European Renaissance. This is a remastered recording based on the artist’s former catalog.

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The Queen's Angel

Rafael Bonavita

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Rafael Bonavita displays his virtuosity by interpreting the sophisticated music of Angelo Michele Bartolotti. Known as one of the most brilliant guitarists of the European Baroque. Bartolotti was like an “angel musician” for the extravagant Queen Christina of Sweden, his patron and protector. For whom he gave uncountable recitals. This Queen’s

Rafael Bonavita displays his virtuosity by interpreting the sophisticated music of Angelo Michele Bartolotti. Known as one of the most brilliant guitarists of the European Baroque. Bartolotti was like an “angel musician” for the extravagant Queen Christina of Sweden, his patron and protector. For whom he gave uncountable recitals. This Queen’s Angel compositions were notorious for creating a unique landscape of emotions.

In this album, Bonavita's five-course baroque guitar brings back to life Bartolotti’s music. Among the compositions in his repertoire, we will find the great C-Major Ciaccona. This is a remastered recording based on the artist's former catalog.

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Migrant Instruments

Mar Barroco

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Duo Mar Barroco formed by Rafael Bonavita and Leopoldo Novoa explores the connections between ancient European music and modern Latinoamerican popular music. Musical instruments have always traveled with people. They generate mutual influences and cross cultures. In the case of "Migrant Instruments", the result is the magical combination of

Duo Mar Barroco formed by Rafael Bonavita and Leopoldo Novoa explores the connections between ancient European music and modern Latinoamerican popular music. Musical instruments have always traveled with people. They generate mutual influences and cross cultures. In the case of "Migrant Instruments", the result is the magical combination of Caribbean Marimbol and Mexican Son guitar along with the Theorbo and Baroque guitar. Interacting in instrumental pieces as well as accompanying the voice in traditional songs.

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El Sarao de la Chacona

Nuevo Sarao, Musical Director Rafael Bonavita

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Nuevo Sarao ensemble performs the wonderful music from the "Second book of Tonos and Villancicos in one, two, three and four voices" by Joan Araniés (Rome 1624). The texts set to music by Araniés, include poets such as Lope de Vega or Góngora. Early Baroque profane Hispanic repertoire. Folk-based dyed with refinements and cultism. And It includes

Nuevo Sarao ensemble performs the wonderful music from the "Second book of Tonos and Villancicos in one, two, three and four voices" by Joan Araniés (Rome 1624). The texts set to music by Araniés, include poets such as Lope de Vega or Góngora. Early Baroque profane Hispanic repertoire. Folk-based dyed with refinements and cultism. And It includes colorful instrumental pieces by Uccellini and Falconiero. In this production, the ensemble performed under the musical direction of Rafael Bonavita who also contributed to the recording by playing Baroque guitar.

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